Spookies harks back to that glorious time for American horror films – the mid to late 1980’s. It has the perfect mix of stereotypical teen characters (all played by actors that are well into their twenties, in line with horror tradition) and incredible special creature effects that still look good today. No CGI here – all the effects were done with puppets and models, giving them a solid, believable look that is sadly missing from today’s horror movies. (more…)
“Your Pain is her pleasure.”
Paz De La Huerta (Choke, Boardwalk Empire) is the eponymous nurse in this erotic horror revenge movie. She plays Abby Russell, a dedicated and extremely professional nurse in a busy city hospital by day and a brutal killer by night. (more…)
Here’s the video for new single ‘Speed of Light,’ from my all-time favourite band, IRON MAIDEN. The video sees the band’s mascot (Eddie the ‘Ed) playing through the evolution of video games from the early ’80’s right up to the modern 3D era, with the graphics getting better each time. Great stuff!
Their new album The Book of Souls is out next month. I can’t wait to check it out.
High on Fire are back with their seventh studio album, and I’m pleased to say that the band are definitely not mellowing with age. Luminiferous is nine tracks of the heavy rock, doom and thrash metal hybrid that Matt Pike and co. have spent the past fifteen years perfecting. Equal parts early Celtic Frost, Slayer and Motorhead, with just right amount of Venom and a healthy pinch of Wino, shoved in a blender and then set alight. That best describes the sound of High on Fire, and though it hardly seems possible, the new album takes things up another notch from their previous effort (2012’s De Vermis Mysteriis). (more…)
“A rockin’ collaboration of American and Italian heavy rock musicians.”
Sonic Wolves are the new new band formed by Kayt Vigil – bass & vocals (ex-Hounds of Hasselvander, Pentagram and Hatchetface), Vita – drums (Ufomammut) and Stefano Tocci – guitar (ex-Incoming Cerebral Overdrive, Deaf Eyes). Wolfwitch is their debut demo. It was recorded, mixed and mastered by their guitarist Stefano Tocci at Ampire Studio in Pistoia, Tuscany, Italy, between December 2014 and April 2015. (more…)
“Hey – you got a permit for those guns?”
For those who have been blissfully ignorant of the fact all these years, iconic 80’s and early ’90’s actor David Hasselhoff (better known as Michael Knight from the TV show Knight Rider) is also a singer. He specialises in extremely cheesy 1980’s-style power ballads and pop rock, and for reasons unknown to the rest of us, he is a huge music star in Germany (remember when he sang on top of the Berlin Wall in 1989? Sadly, I do!).
Hasselhoff (or “The Hoff” as he is affectionately known by ageing ’80’s kids like me), has lent his voice to ‘True Survivor,’ the theme song to the new Kickstarter-funded action-comedy Kung Fury. I can’t work out if the Kickstarter was a huge success and it helped pay for David Hasselhoff, or whether he was going cheap! If the movie lives up to the footage in the trailer and music video, it looks like it could be good fun, though. I’m hoping for something along the lines of Hobo With a Shotgun or Dead Hooker in a Trunk, only much more over the top.
Luce Vee (also known as Luther “Findlay” Veldmark) is the voice of Hooded Priest and King Heavy and formerly Witchsmeller Pursuivant. His bands all have a cult following in the heavy metal and doom scene and Luce is well known and respected by both bands and fans alike. He was kind enough to take part in this interview a couple of weeks ago. (more…)
John Gallow – Violet Dreams (I, Voidhanger Records)
This is the first solo offering from Orodruin founder John Gallo (not counting the album and EP’s he’s done as Blizaro) and he plays all the instruments himself. Violet Dreams is John’s homage to what he calls “all those purple doom metal bands from Italy,” namely Paul Chain. The resulting sound is a creepy, psychedelic affair with plenty of Sabbathian riffing and spooky organ sounds.
Lyrically, the album is all about dreams, or more specifically, nightmares. John provides some interesting liner notes in the CD booklet that help to explain things. They are a welcome addition, as the casual listener could be forgivien for thinking the man that created this creepy doom album was totally bonkers!
Violet Dreams is more of a doom album than John’s previous efforts with Blizaro(which was based on classic horror soundtracks, many of those Italian too) but not as full on doom metal as his most famous band Orodruin. As stated above, John does play all the instruments himself. This works extremely well on all but the drums, which I must admit are a weak link in places. He does a good job but he may have bitten off a little more than he can chew here. I would suggest some drum lessons or recruiting a specialist drummer for album two (and I hope there will be a follow up because this is really good). If you are an Orodruin fan, I’d suggest checking this out, and if you are familiar with Blizaro, this sounds enough like it to appeal to you, too.
Serpent Venom are one of the best doom bands in the UK, and their new album will only serve to strengthen their reputation. Roland Scriver’s guitar tone takes Tony Iommi’s trademark Black Sabbath sound and drags it kicking and screaming into the 21st Century. The bass is crushing and the drums. Well, they sound like a heard of elephants stampeeding. Slowly. For an hour. The vocals sit perfectly on top of this wall of sludgy riffs and slow motion rhythm. They are not too high in the mix to annoy and not too low as to be obscured by the sheer weight of the music.
The only criticism I can level at Serpent Venom is this: they can tend to sound a little samey after a few tracks. That’s not necessarily a bad thing. In fact, if you don’t like one song of theirs, move on. They are all very similar minus the odd tempo change. If you like what they do, you’ll love this new album. If not, it won’t change your mind.
This band is the brainchild of Canadian multi-instrumentalist Matt Emery. The music is a cross between ’70’s hard rock and modern psychedelic doom. Matt’s clean vocals remind me of Ronnie James Dio in places and are of the highest quality throughout, as are the musicianship and production.
The lyrical subject matter covers the usual occultism and sexual themes that one would expect from an occult rock band. The cover art is also awesome. I’m seeing a lot of topless women on rock and metal albums lately. Maybe we started a trend with Iron Void? I heartily recommend this CD. It’s one of the best rock albums I have heard in recent years and is heavy enough to appeal to doom and heavy metal fans too. There is even a cover version of the Blue Oyster Cult classic ‘Dominance and Submission’ on here for good measure! If you liked The Devil’s Blood and have been missing that epic psyche rock sound since their demise, you could do a lot worse than this.
“Reality is that which, when you stop believing in it, doesn’t go away.”
– Philip Kindred Dick (1928 -1982)
If I had to name my favourite author of all time, the answer would be Philip K. Dick. He may not be responsible for any literary classics, but the short stories and novels of this strange college drop-out from California continue to inspire. Most of the current generation of Science Fiction fans will be familiar with Dick’s work from the cinema. From Blade Runner to The Adjustment Bureau, there are more films based on PKD stories and novels than you might think. (more…)
“In this house, what you don’t know will hurt you.”
The career of Italian director Lucio Fulci spanned several decades and crossed all popular genres, from Westerns to Giallo, but it is for his horror films that he is most fondly remembered. Not all of them are great, but there was a period in the late 1907’s to early 1980’s when Fulci was on form. This period gave rise to the classics Zombie Flesh Eaters, The Beyond and City of The Living Dead.
Obscure European cinema releases and later 1980’s ‘video nasties,’ these films have since found a new audience with a younger generation thanks to DVD and Blu Ray. One of the coolest things about Italian horror films (aside from the gory violence), is the music. Death Waltz Recording Co. have recognized this fact, and have spent the last couple of years licencing and reissuing remastered versions of many cult soundtracks as lavish limited edition vinyl packages. I’m completely hooked on them, and I hope that the other classic Fulci soundtracks are given similar treatment, if they are available for copyright reasons. (more…)