It’s been 8 years since the last Metallica studio album (2008’s Death Magnetic), and over twice that length of time since I bought one of their records. The last Metallica release I paid to listen to was 1996’s controversial Load album. (more…)
“Life’s a bitch and then you die!”
NWOBHM veterans Vardis originally called it a day in 1986 before reforming in 2014. This album comes in the wake of the tragic death of their bass player Terry Horbury last year. Horbury had been with the band on and off since the early 1980’s and is replaced by Martin Connolly (ex- Rick Wakeman, Paul Fox). The cover art was painted by legendary horror artists Graham Humphries (Evil Dead, Death Waltz Recording Company) and features the band as disembodied heads (with red eyes of course) and Horbury is depicted, which serves as a fitting tribute to him. (more…)
“People reject us. They will never know the answer to the question that we carry in our hearts.”
The Vision is the debut album from these Italian blues-doom rockers. The album is the follow-up to last year’s Black Magic Man EP, and offers nine tracks of smoky, classic blues rock with occult-themed lyrics. Singer Virginia Monti delivers said lyrics in a suitably witchy style, and manages to sound like she means it. That’s because she does! (more…)
Sweden’s Goatess released their debut LP in 2013 and came to my attention mainly via their singer (Lord Vicar and ex-Count Raven and Terra Firma frontman Chritus Linderson). Their music is a cross between stoner rock and doom with plenty of psychedelia thrown in for good measure. (more…)
Birmingham’s Quartz, were a hard rock/heavy metal band who counted long-running Black Sabbath keyboard player Geoff Nicholls among their founding members. Formed in 1974 under the less than metal name of Bandy Legs, the band played club gigs and released a single (‘Bet You Can’t Dance’) for Jet records in 1976 before changing their name to Quartz (sounds a lot cooler doesn’t it?).
“Your Pain is her pleasure.”
Paz De La Huerta (Choke, Boardwalk Empire) is the eponymous nurse in this erotic horror revenge movie. She plays Abby Russell, a dedicated and extremely professional nurse in a busy city hospital by day and a brutal killer by night. (more…)
High on Fire are back with their seventh studio album, and I’m pleased to say that the band are definitely not mellowing with age. Luminiferous is nine tracks of the heavy rock, doom and thrash metal hybrid that Matt Pike and co. have spent the past fifteen years perfecting. Equal parts early Celtic Frost, Slayer and Motorhead, with just right amount of Venom and a healthy pinch of Wino, shoved in a blender and then set alight. That best describes the sound of High on Fire, and though it hardly seems possible, the new album takes things up another notch from their previous effort (2012’s De Vermis Mysteriis). (more…)
“A rockin’ collaboration of American and Italian heavy rock musicians.”
Sonic Wolves are the new new band formed by Kayt Vigil – bass & vocals (ex-Hounds of Hasselvander, Pentagram and Hatchetface), Vita – drums (Ufomammut) and Stefano Tocci – guitar (ex-Incoming Cerebral Overdrive, Deaf Eyes). Wolfwitch is their debut demo. It was recorded, mixed and mastered by their guitarist Stefano Tocci at Ampire Studio in Pistoia, Tuscany, Italy, between December 2014 and April 2015. (more…)
John Gallow – Violet Dreams (I, Voidhanger Records)
This is the first solo offering from Orodruin founder John Gallo (not counting the album and EP’s he’s done as Blizaro) and he plays all the instruments himself. Violet Dreams is John’s homage to what he calls “all those purple doom metal bands from Italy,” namely Paul Chain. The resulting sound is a creepy, psychedelic affair with plenty of Sabbathian riffing and spooky organ sounds.
Lyrically, the album is all about dreams, or more specifically, nightmares. John provides some interesting liner notes in the CD booklet that help to explain things. They are a welcome addition, as the casual listener could be forgivien for thinking the man that created this creepy doom album was totally bonkers!
Violet Dreams is more of a doom album than John’s previous efforts with Blizaro(which was based on classic horror soundtracks, many of those Italian too) but not as full on doom metal as his most famous band Orodruin. As stated above, John does play all the instruments himself. This works extremely well on all but the drums, which I must admit are a weak link in places. He does a good job but he may have bitten off a little more than he can chew here. I would suggest some drum lessons or recruiting a specialist drummer for album two (and I hope there will be a follow up because this is really good). If you are an Orodruin fan, I’d suggest checking this out, and if you are familiar with Blizaro, this sounds enough like it to appeal to you, too.
Serpent Venom are one of the best doom bands in the UK, and their new album will only serve to strengthen their reputation. Roland Scriver’s guitar tone takes Tony Iommi’s trademark Black Sabbath sound and drags it kicking and screaming into the 21st Century. The bass is crushing and the drums. Well, they sound like a heard of elephants stampeeding. Slowly. For an hour. The vocals sit perfectly on top of this wall of sludgy riffs and slow motion rhythm. They are not too high in the mix to annoy and not too low as to be obscured by the sheer weight of the music.
The only criticism I can level at Serpent Venom is this: they can tend to sound a little samey after a few tracks. That’s not necessarily a bad thing. In fact, if you don’t like one song of theirs, move on. They are all very similar minus the odd tempo change. If you like what they do, you’ll love this new album. If not, it won’t change your mind.
This band is the brainchild of Canadian multi-instrumentalist Matt Emery. The music is a cross between ’70’s hard rock and modern psychedelic doom. Matt’s clean vocals remind me of Ronnie James Dio in places and are of the highest quality throughout, as are the musicianship and production.
The lyrical subject matter covers the usual occultism and sexual themes that one would expect from an occult rock band. The cover art is also awesome. I’m seeing a lot of topless women on rock and metal albums lately. Maybe we started a trend with Iron Void? I heartily recommend this CD. It’s one of the best rock albums I have heard in recent years and is heavy enough to appeal to doom and heavy metal fans too. There is even a cover version of the Blue Oyster Cult classic ‘Dominance and Submission’ on here for good measure! If you liked The Devil’s Blood and have been missing that epic psyche rock sound since their demise, you could do a lot worse than this.
“In this house, what you don’t know will hurt you.”
The career of Italian director Lucio Fulci spanned several decades and crossed all popular genres, from Westerns to Giallo, but it is for his horror films that he is most fondly remembered. Not all of them are great, but there was a period in the late 1907’s to early 1980’s when Fulci was on form. This period gave rise to the classics Zombie Flesh Eaters, The Beyond and City of The Living Dead.
Obscure European cinema releases and later 1980’s ‘video nasties,’ these films have since found a new audience with a younger generation thanks to DVD and Blu Ray. One of the coolest things about Italian horror films (aside from the gory violence), is the music. Death Waltz Recording Co. have recognized this fact, and have spent the last couple of years licencing and reissuing remastered versions of many cult soundtracks as lavish limited edition vinyl packages. I’m completely hooked on them, and I hope that the other classic Fulci soundtracks are given similar treatment, if they are available for copyright reasons. (more…)