Sweden’s Goatess released their debut LP in 2013 and came to my attention mainly via their singer (Lord Vicar and ex-Count Raven and Terra Firma frontman Chritus Linderson). Their music is a cross between stoner rock and doom with plenty of psychedelia thrown in for good measure. (more…)
2013 was a landmark year for me. I achieved three lifetime ambitions in twelve short months. My band recorded their debut album (which I’m proud to say will be released soon by an actual record label!), I completed a degree in English language and Literature and I attended my first ever Roadburn festival in Tilburg, Holland with four friends.
The world famous De Wolfe Music Library are re-issuing some of the rarest and most sought after soundtracks from their 100 year history. Among them is Paul Ferris’ soundtrack to the 1968 classic Witchfinder General which starred Gothic-horror legend Vincent Price in the title role.
The film was directed by Michael Reeves (The Sorcerers, Castle of The Living Dead, She Beast), who died suddenly in 1969 aged just 25. Witchfinder General was his last film.
Telling the story of the sadistic and brutal Matthew Hopkins (the eponymous Witchfinder General), this was a controversial film upon its initial release, with many of the more graphic scenes of violence being cut. The director’s tragic death added to the film’s notoriety and helped forge the cult status it has today.
My main criticism would have to be the album’s length. The last three tracks on the deluxe CD version are by far the weakest on the album and could quite easily have been left out. The Black Sabbath rain at the end of ‘Dear Father’ would have made a perfect ending point. Instead, the tracks that follow give the impression of being added as filler to bulk-up the disc. The market has moved on since the early days of Sabbath, and perhaps an eight song album was considered too short for commercial reasons. The result is another overstuffed mainstream rock/metal album that fails to fully capture the special vibe (for want of a better term) that is present in a lot of underground releases.The only other minor sore points for me are some of Ozzy’s vocals. To be honest, his performance is not really that bad. There are moments, though, when he just fails to hold a note. These are songs sung in the lower register and are largely confined to the first few tracks. It just seems a little strange that no one thought to transpose them into a higher key, or maybe even use a different choice of song, Ozzy’s voice being what it is.
Doom pioneers: The classic ‘Early Sabbath’ line up
Blood Moon Rise is a very dark record, and not the type of album that grabs you on first listen. The first time I played it, I was surprised by how smooth everything sounds compared to their earlier efforts. It’s the only word I can use to adequately describe the sound. After a short, moody opening piece, the album starts proper with single ‘The Places You Walk.’ Jex Thoth songs have been described as ‘doom ballads’ in several reviews, and that is definitely the case here. The lyrical subject matters switch between relationships/love back to esoteric occult themes such as the epic closing number ‘Psyar’ (I have no idea what this means without Googling!). So, am I saying that Jex’s lyrics are stereotypically feminine in their themes? Well, yes, I am in a way, but this isn’t necessarily a bad thing. Jex clearly knows what she is singing about, and her voice sounds beautiful and is one of the aspects of the band that benefits most from this album’s superior production. It’s been well mastered, too and sounds clear and warm. These two things are important for a Jex Thoth record for one simple reason: You need to listen to this band on vinyl. I have both the CD and LP versions of their first record and there is no comparison. The vinyl wins every time (if only for the Albert Witchfinder sleeve art).